The Snowpiercer
Judge's Choice Award
This piece is a reimagined adaptation of an early concept developed during the visual exploration phase of the television series Snowpiercer. I revisited the original design language and translated it into a more grounded, physically realistic interpretation, focusing on environmental integration and material authenticity.
The goal was to preserve the bold, industrial silhouette while enhancing structural plausibility, weathering, and atmospheric interaction. I emphasized scale through the snow displacement and motion of the foreground, allowing the train to feel massive and mechanically forceful within its environment. Texture work and lighting were refined to communicate age, endurance, and the brutal conditions of a frozen world.
Rather than replicating the show’s final design, this concept explores what the train might look like if pushed further into realism, maintaining the spirit of the original development while elevating it into a cinematic, immersive rendering. The software Blender was used to craft the shape of the vehicle, as well as to develop the snow-covered material textures and PBR's. Photoshop was used to add additional layering and snow textures.
This piece reflects my interest in adapting existing science fiction worlds through a lens of environmental storytelling and tangible design logic.
SLCC Enrollment School
SLCC Student
Artist Statement
I am a concept artist and visual storyteller focused on building immersive worlds that feel ancient, industrial, and emotionally lived-in. My work blends cinematic science fiction with grounded realism, often exploring themes of power, survival, labor, and myth. Through digital painting, 3D modeling, and film production, I design environments, machines, and characters that showcase immersive realms beyond the frame.
I am particularly drawn to large-scale engineered forms such as; machines, brutalist architecture, desert ships, subterranean cities, etc. Each contrasted with intimate human presence. Scale is central to my practice; I use light, atmosphere, and texture to make environments feel tangible and inhabited. Weathering, rust, dust, and material decay are not aesthetic afterthoughts but narrative tools that imply time, conflict, and use.
My background in film informs how I compose images. I approach each piece as a frame from a larger story, considering camera angle, movement, and emotional presentation. Whether designing for original universes or reinterpretations of existing worlds, my goal is to create visual experiences that feel monumental yet personal.
